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137 UMMA Objects
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On a long horizontal piece of white paper is a brown square on the right. Within the square are vertical wavy lines with alternating horizontal stripes. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.56
This etching has a grey and white all-over grid pattern. Thicker, light grey lines make up the main grid and individual squares from this pattern are broken into smaller quadrants of small white rectangles. The print uses lighter tones towards the center and outer corners of the work. Darker grey tones are used between these areas. The work is printed on ivory wove paper. The print is signed, dated, and numbered (l.r.) "Longo 70 4/45" in pencil. 
Vincent Longo (American (North American))
Frontal
1970
Gift of The Drawing and Print Club, Founders Society Detroit Institute of Arts
1971/1.191

Julian Stanczak (American (North American))
Untitled
1964
Museum Purchase
1965/2.46
A long horizontal piece of white paper with a yellow square on the right, with other squares nested in shades of yellow and grey. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.21
This photograph depicts a view of a church, before the church is a wide open piazza with two obelisks standing in its center. Next to one of the obelisks is a donkey cart.
Giorgio Sommer (Italian (culture or style))
Chiesa St. Maria Novella (Firenze)
1857 – 1866
Gift of Mr. & Mrs. W. Howard Bond
1986/1.152
At the top of the print, there are three oval shapes, from the left, the first white and the next two black. Undulating horizontal black and white lines create a rectangular section at the center of the composition, interrupted to create other geometric shapes. There are light grey, black, and white triangles and squares at the bottom of the image. Overall, the background is a solid grey. The print is signed in pencil (l.r.) "Vasarely-" and numbered in ink (l.l.) "70/150".
Victor Vasarely (French (culture or style))
Untitled
1959
Gift of the Estate of Maxine W. Kunstadter in memory of Sigmund Kunstadter, Class of 1922
1983/1.404.3
On a long white horizontal piece of paper are two squares. The square on the left is black and the one on the right, grey. On each square is a design of a square pushed askew on its diagonal axis with shades of black, white and grey in the shapes created by the overlapping planes.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.64
On a long horizontal white piece of paper are two squares: on the left, a blue square and on the right, a green one, each with nested squares within.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.67

Barbara Morgan (American (North American))
Spring on Madison Square
1938
Museum Purchase
1991/2.43
On a long horizontal piece of white paper there is a slightly irregular white square on the right. Within it is a curvilinear design of alternating white and teal.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.37
There are two grey squares on a long white horizontal piece of paper with nested squares inside in shades of yellow.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.38
On a long horizontal white piece of paper there is a grey rectangle on the right. Within it are two columns with overlapping horizontal and vertical stripes in black, grey and white. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.46
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